Tag Archives: Sheng Qi

Boys’ Room

Tina Barney, The Son, 1987 (2.1998.a) Gregory Crewdson, Untitled, 1998 (9.2001) Gran Fury, Read My Lips (boys), 1988 (1138.2000) David Seidner, [Pavlos, Prince of Greece], ca. 1994 (2007.65.13) Sheng Qi, Memories (Me), 2000 (7.2004) The son becomes the part of … Continue reading

Posted in Fans in a Flashbulb | Tagged , , , , , , , | Leave a comment

Sheng Qi

Sheng Qi, Memories (Mother), 2000 (9.2004) The photograph is part of Hand series (2005) by Chinese photographer Sheng Qi. In 1989, in protest of the massacre at Tiananmen Square, he cut off his left pinkie finger, which he buried it … Continue reading

Posted in Fans in a Flashbulb | Tagged , | Leave a comment

A Palpable Transfer

A Palpable Transfer positions memory as an event that is first experienced, and eventually transferable. Memory is often explored in contexts of nostalgia, validity, deterioration. The selected photographs work with memory in relation to palpability, which is the access point … Continue reading

Posted in Fans in a Flashbulb | Tagged , , , , , | Leave a comment

A Game of Charades: Hands Full of Expression

Hands play an important role in communication. Besides being an effective way of language without vocalizing–through signing and gesturing–hands can be quite versatile. Hands in Fashion: Richard Avedon, [Hand with long sleeved blouse in front of black hair], ca. 1968 … Continue reading

Posted in Fans in a Flashbulb | Tagged , , , , | Leave a comment

Sheng Qi’s Memories

Sheng Qi, Memories (Me), 2000 Sheng Qi, Memories (Mao), 2000 Sheng Qi, Memories (Mother), 2000 Sheng Qi on Memories: The record of my left hand records Me from 1965 to the present. The imperfect left hand + old photos . … Continue reading

Posted in Fans in a Flashbulb | Tagged , , , | Leave a comment