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- Chris Suspect on Save the elephants
- Happy Birthday Abraham Lincoln (1809-1865) | Fans in a Flashbulb on Weegee does Lincoln
- Jessica TV on It’s moving day…
- It’s moving day… | Fans in a Flashbulb on Moving Pictures
- Sailing (and rowing) to Jersey City | Fans in a Flashbulb on In Carnegie the Man with the Face of Christ Sits Alone
- peggyroalf on Bread – Acquiring
- Francesca Teodori on In a Dream
- Ann C. Badger on 69 years ago…
- Frida Kahlo and Diego Rivera on Mexican money | Dear Kitty. Some blog on Studio Visit: Frida Khalo and Diego Rivera – Part 2 – Interior
- claartjevandijk on Discovery of the New World
Everyday for the past several months a dedicated and hardworking Assistant Curator (or sometimes an awesome, astounding, breathtaking Imaging Technician) has filled a rowboat full of photos (“from daguerreotypes to gelatin silver and digital chromogenic prints“) and rowed across the Hudson River…
(A much better post with the same Seneca Ray Stoddard photo is here.)
(A mediocre post that does not include this Weegee photo, but could have, is here.)
For a bit of preemptive or premature nostalgia… (nostalgic for rare and out of print, hard-to-get hot jazz, foreign, hillbilly records as low as 9 cents… although perhaps there are plenty of records at Jersey City’s WFMU)… a photo made from and a photo of the location in Manhattan of the ICP archive…
(A much better post with the same Todd Webb photo is here.)
Martin Luther King Jr. Day is a federal holiday marking the birthday of Martin Luther King Jr.. It is celebrated the third Monday in January of each year, often one or just a few days after his actual birthday on January 15. On January 15 of 2015 Mr. King would have turned 86.
In 2014 the five most popular posts were:
Stills from Zapruder film of JFK Assassination
Bloody Sunday through Gilles Peress’s Eyes
Smart, Witty, Clever: Rare, Early Street Photography by Ansel Adams
Henri Cartier-Bresson or W. Eugene Smith?
On Fansinaflashbulb’s busiest day in 2014 this post was published: Studio Visit: Frida Khalo and Diego Rivera – Part 1 – The exterior.
Who cares about popularity! Avoid the ruts of conformity! (To misquote Thoreau.) Everything that is unpopular is always more interesting and worthy of investigating than anything that is popular. Everything that is popular is terrible and mediocre at best. (Trust me, I’m an expert on unpopularity. I didn’t get where I am today by being popular!)
Some of the most unpopular, or least viewed, Fansinaflashbulb posts in 2014, (all were composed before 2014) that are great and obviously worthy of a view, or re-view, are:
Gum, an Agent to Share or Solitaire
April Fools’ Day
Great Conductors V: William Steinberg
Photography Art Society of Lithuania: Aleksandras Macijauskas
Russell Means, 1939-2012
Revolt! Bite the Hand That Bleeds You
The World of Tomorrow
These photos are a selection of images from the most “unpopular” posts…
PM Daily, January 14, 1943, p.2
PM Daily, January 13, 1943, pp.2-3
Three Theories on the Tresca Assassination:
Police today had three theories – but no evidence – as to the motive for the murder of Carlo Tresca, anti-fascist editor and radical, on Fifth Ave. Monday night The theories are:
1. That a political enemy killed him.
2. That an Italian fifth column ordered it, possibly to head off an expose of its activities in this country.
3. That he was killed by a man who had personal difference with him.
Photo captions, p. 2:
This abandoned automobile is believed to be the car in which Tresca’s killer escaped. It is sprinkled with fingerprint powder.
Interior of Carlo Tresca’s office, where he edited Il Martello.
Copies of the last issue of Il Martello (The Hammer), hand-wrapped for mailing, were piled up in Tresca’s office when he left for the last time. Photos by Bernie Aumuller, PM.
Photo captions, p. 3:
For a short time after the assassination of Carlo Tresca, above, his body was mistaken for… Arturo Giovannitti, Italian poet and writer, above, an old friend of the murdered Italian leftist.
Carlo Tresca, rarely photographed in recent years, was caught in these bits of horseplay two Summers ago, when a PM photographer visited Unity House, the ILGWU Summer camp. Above he roughs up David Dubinsky. At right he shakes up Luigi Antonini, ILG vice president. Photos by Martin Harris, PM.
PM Daily, January 14, 1943, p.2
PM Daily, January 14, 1943, p. 2
Tresca Probe Indicates Ambush by Murder Mob
Carlo Tresca, veteran radical and anti-fascist editor was murdered Monday night in an elaborate, carefully planned ambush, police now believe. He had not a ghost of a chance to escape the bullets of the assassins waiting for him.
Police emphasized these points:
1. Two bullets from a .32-caliber pistol fired into his back and face killed Tresca.
2. Another slug, badly mashed from ricocheting, was found near the body.
3. An unfired .38-caliber revolver was found near the scene, indicating that a second gunman was lurking nearby.
4. The getaway car had motor running and a driver waiting at the wheel.
That indicates that at least three, and maybe more, were in the murder mob. The slaying had all the appearances of a “professional” crime with hired killers.
PM Daily, January 15, 1943, p. 2
Tresca Planned Return to Italy To Lead a People’s Revolution After War Had Chased Il Duce
Carlo Tresca, veteran radical and anti-Fascist editor of Il Martello (The Hammer), shortly before his murder had discussed with his associated plans to return to Italy after the fall of Mussolini to work for the establishment of a people’s postwar Government there.
That was learned yesterday while police and District Attorney Hogan were continuing their inquiry into the slaying Monday night. Tresca was shot and kiled across the street from his offices at 2 W. 15th St.
The re-shaping of Italy, Tresca said, would be: “Not for the King, not for Mussolini, not for the Pope, but for the working man.”
PM Daily, January 17, 1943, pp. 4-5
Tresca Funeral Cortege Passes Scene of Murder…
Funeral cortege of Carlo Tresca, assassinated anti-Fascist, took a route to bring it past the corner where he was murdered. Large crowds were waiting there. Photo is from Tresca’s office widow.
Exact spot where Tresca died was marked with flowers as the funeral cortege passed 15th St. and Fifth Ave. Shot by an unidentified gunman, Tresca died almost at once. Photos by John DeBiase, PM.
3500 Mourners at Services for Assassin Victim
Luigi Antonini, president of the Italian Labor Council, delivers a eulogy over the body of Carlo Tresca, murdered anti-Fascist.
Arturo Giovannitti, poet, passes casket containing friend’s body.
Here are some of the 2500 who got inside Manhattan Center. Another 1000 stood outside. PM Photos by Irving Haberman.
Carlo Tresca (1879-1943), radical, anti-fascist, anti-Communist, “anarchist,” journalist, editor (of Il Martello, The Hammer), and labor organizer, was shot, across the street from his office, 2 West 15th Street at the corner of Fifth Avenue and 15th Street at 9:40 PM on January 11, 1943. Tresca, an extremist full of contradictions and many enemies, a radicals’ radical, described by the New York Times in 1943 as a “Militant Anti-Fascist Leader” and an “internationally known revolutionary syndicalist writer, militant leader of Italian anti-Fascists and colorful figure in American radical circles for more than a generation.”
Carmine Galante was arrested (while exiting a gambling den that operated behind a candy store on Elizabeth Street) for the murder but never prosecuted (although he was executed in 1979). The crime remains unsolved.
From Carlo Tresca: The Dilemma of an Anti-Communist Radical, by Gerald Meyer, published in Public Affairs Magazine:
Carlo Tresca (1879-1943) is best remembered as a labor agitator and journalist who played a major role in the pre-World War I labor uprisings in Pennsylvania’s coalfields, in Paterson, New Jersey, on Minnesota’s Mesabi Range, and elsewhere. Less well known is Tresca’s courageous and effective leadership in the anti-Fascist struggle within the Italian American community. As an organizer and a journalist, Tresca fought in the front trenches of the fiercest battles of class struggle in the United States. Repeatedly, Tresca came face-to-face with the country’s elaborate and unrelenting repressive apparatus−and sometimes won.
Carlo Tresca, Portrait of a Rebel, by Nunzio Pernicone, published in 2010 by AK Press, PDF
Ed Kashi, The Ishikveren Refugee Camp in Turkey was home to 2000,000 Kurds from Iraq who fled after the Gulf War in 1991, from “When the Borders Bleed: The Struggle of the Kurds,” 1991 (2006.40.38) (EdKashi.com)
This is the second (the first is here) in a projected four part series of posts featuring photos of, or focusing on, one of the most significant and fundamental (and one of my favorite) foods: bread!
brauð – Icelandic
nri – Igbo
roti – Indonesian
arán – Irish
pane – Italian
roti – Javanese
panem – Latin
maize – Latvian
duona – Lithuanian
roti – Malay
ħobż – Maltese
taro – Maori
талх – Mongolian
brød – Norwegian
(Bread in different languages from Google translate and the link is a Google image search – just another half baked experiment).
One of the key figures in any discussion of vernacular photography is the somewhat mysterious figure of Mike Disfarmer (1882–1959), a community photographer in the small Arkansas town of Heber Springs. Disfarmer is noted for the disarmingly frank and surprisingly modernist portraits that he made of local townspeople during the 1930s and 1940s. Posed straightforwardly against a neutral black backdrop, these sitters reveal all the hope and hardship of their rural, Depression-era upbringings. In the portrait of “Ed and Mamie Barger” (ca. 1939–46), from the ICP Collection, for example, the rough work clothes and sunburnt faces are softened by the loving way they wrap their arms around each other’s shoulders. Such images would have been lost save for the farsighted vision of Peter Miller, photo editor for a local newspaper and a former New York fashion photographer. In 1974, he rescued more than 5,000 discarded glass negatives by Disfarmer, published them in a landmark book (with the Bargers as the cover image), and showed them for the first time at the International Center of Photography in 1977. Now, a new exhibition, titled Becoming Disfarmer, at the Neuberger Museum of Art at SUNY Purchase through March 22, 2015, looks closely at the Heber Springs photographer, drawing in part on the ICP Collection, which includes more than 800 Disfarmer photographs.
Brian Wallis, Chief Curator