Lillyn Brown


[Norman Thomas and E. L. Brown (Lillyn Brown)], ca. 1928
Photographer: Atelier Robertson (Hans Robertson, 1883–1950), Berlin
The Daniel Cowin Collection of African American Vernacular Photography


[Lillyn Brown (1885–1969)], ca. 1920
Photographer: Earl-Broady Studios, Schenectady, New York
The Daniel Cowin Collection of African American Vernacular Photography

A veteran of vaudeville and musical theater, Lillyn Brown’s show business career began in 1894 when she left her home in Georgia with a traveling minstrel show. Born Lillian Thomas to an African American mother and Iroquois father, Brown initially performed as the “Indian Princess” but soon acquired the role of male impersonator (or “interlocutor”) billed as “Elbrown” or “E. L. Brown,” developing an act in which she wore top hat and tails, sang several songs as a man, then revealed her long hair and continued singing as a woman. She made her only known gramophone recordings in 1921, backed by her group, the Jazzbo Syncopators. Brown toured Europe, appeared on Broadway, and performed at the major clubs in Harlem and on the Keith Circuit until her retirement in 1934. She resumed her stage career in 1949, with a dramatic role in Regina. In the 1950s, she operated an acting and singing school in Manhattan, taught for many years at the Jarahal School of Music in Harlem (Sugar Ray Robinson was one of her pupils), and was active in the Negro Actors Guild.

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